Scherzo No. 1 (Chopin) - Structure


This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin quotes here from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Più Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the beginning reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic.

The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto Più Lento, but slightly different (as it is with Chopin's Second and Third Scherzi). This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E♯ diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). After the resolution and a rapid chromatic ascent over four octaves in both hands, the coda and piece come to a triumphant end via a bold minor plagal cadence.

In his rendition of the Scherzo No. 1, Vladimir Horowitz famously duplicated the chromatic scale near the ending into interlocking octaves, a technique he often used as his signature on other pieces. The interlocking octaves were meant to be played at the same speed as the original chromatic scale.

Read more about this topic:  Scherzo No. 1 (Chopin)

Other articles related to "structure":

Zirconium Tungstate - Cubic Phase
... Since the structure is cubic, as described below, the thermal contraction is isotropic - equal in all directions ... The structure of cubic zirconium tungstate consists of corner-sharing ZrO6 octahedral and WO4 tetrahedral structural units ... Unit Modes (RUMs), which involve the coupled rotation of the polyhedral units that make up the structure, and lead to contraction ...
Watchmen - Art and Composition - Structure
... The cover of each issue serves as the first panel to the story ... Gibbons said, "The cover of the Watchmen is in the real world and looks quite real, but it's starting to turn into a comic book, a portal to another dimension." The covers were designed as close-ups that focused on a single detail with no human elements present ...
Book Of Revelation - Content - Literary Structure
... In terms of literary structure, Revelation consists of four visions, each involving John “seeing” the plan of God unveiled, with an epilogue that ... In terms of content, the structure of Revelation is built around four successive groups of seven the messages to the seven churches the seven seals the seven trumpets and the seven ... Strand asserts that symbols and phrases of Revelation are organized as a chiastic structure, a literary device used frequently in the Old Testament ...
321 Kinematic Structure
321 kinematic structure is a design method for robotic arms (serial manipulators), invented by Donald L ... Many other industrial robots, such as the PUMA, have a kinematic structure that deviates a little bit from the 321 structure ...
Book Of Ruth - Structure - Ethical Importance
2 ... Loving-kindness living Boaz and Ruth are models of an altruism for which the word "loving-kindness" has been coined (approximately translating Hebrew hesed) ...

Famous quotes containing the word structure:

    The philosopher believes that the value of his philosophy lies in its totality, in its structure: posterity discovers it in the stones with which he built and with which other structures are subsequently built that are frequently better—and so, in the fact that that structure can be demolished and yet still possess value as material.
    Friedrich Nietzsche (1844–1900)

    Agnosticism is a perfectly respectable and tenable philosophical position; it is not dogmatic and makes no pronouncements about the ultimate truths of the universe. It remains open to evidence and persuasion; lacking faith, it nevertheless does not deride faith. Atheism, on the other hand, is as unyielding and dogmatic about religious belief as true believers are about heathens. It tries to use reason to demolish a structure that is not built upon reason.
    Sydney J. Harris (1917–1986)

    Communism is a proposition to structure the world more reasonably, a proposition for changing the world. As such, we have to analyze it and, if we deem it reasonable, act upon it.
    Friedrich Dürrenmatt (1921–1990)