- Produced by Tony Brown
- Recorded and engineered by Chuck Ainlay, Jeff Balding, Eddie Bayers, Robert Charles, Terry Christian, Chris Davie, Joe Hayden, Graham Lewis, Justin Niebank, Craig White, and King Williams
- Mixed by Chuck Ainlay and Graham Lewis
- Overdubs recorded by Terry Christian and Justin Niebank
- Mastered by Chuck Ainlay, Paul Franklin and Denny Purcell
Read more about this topic: Revelations (Wynonna Judd Album)
Other articles related to "production":
... was awarded a contract for four prototype and 12 production HU2K-1 helicopters in late 1957 ... With no follow-on orders, Kaman ended production in the late 1960s after delivering 184 SH-2s to the US Navy although production would be later restarted in 1971 to manufacture an improved variant of the helicopter ... A significant factor in the reopening of the production line was that the Navy's Sikorsky SH-60 Sea Hawk, which was newer and more capable in anti-submarine operations, was too ...
... of money used to buy things is a way of measuring production ... Note that if you knit yourself a sweater, it is production but does not get counted as GDP because it is never sold ... counts some major activities such as child-rearing (generally unpaid) as production, GDP ceases to be an accurate indicator of production ...
... The relationship between design and production is one of planning and executing ... In contrast, production involves a routine or pre-planned process ... A design may also be a mere plan that does not include a production or engineering process, although a working knowledge of such processes is usually expected ...
Famous quotes containing the word production:
“The production of too many useful things results in too many useless people.”
—Karl Marx (18181883)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (19131960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)