The musical style of Heinrich XXIV was strongly influenced by Brahms, however, on the whole it differs from that being lighter in tone, and thus resembles more the style of his teacher, Heinrich von Herzogenberg. A stylistic proximity to the works of Antonín Dvořák is evident. Heinrich XXIV's compositions display a masterful command of musical form and technique, especially in contrapuntal voice leading. As with Brahms, Dvořák and Herzogenberg, chamber music was his main field of creativity; he contributed numerous works in various genres. Notable among his other creations are his six symphonies.
During his lifetime, the compositions of Heinrich XXIV enjoyed a good reputation even in academic circles. Max Reger was also one of his admirers. Even in the years after his death, his compositions were warmly recommended by various musical authorities, as expressed, for example, by the musicologist Wilhelm Altmann in the third volume of his Handbook for String Quartet Players published in 1929. He wrote concerning the String Sextet No. 2 in B minor: " is a work with artistic value close to that of the two Brahms Sextets. Every friend of chamber music should know it." Since 1930, word of the composer and his works has become increasingly silent.
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