Early Career (1931–1934)
After his father's death, Welles traveled to Europe with the aid of a small inheritance. Welles later reported that while on a walking and painting trip through Ireland, he strode into the Gate Theatre in Dublin and claimed he was a Broadway star. The manager of Gate, Hilton Edwards, later said he had not believed him but was impressed by his brashness and some impassioned quality in his audition. Welles made his stage debut at the Gate in 1931, appearing in Jew Suss as the Duke. He acted to great acclaim, which reached the United States. He performed smaller supporting roles as well. On returning to the United States he found his fame ephemeral and turned to a writing project at Todd School that would become the immensely successful Everybody's Shakespeare and subsequently, The Mercury Shakespeare. Welles traveled to North Africa while working on thousands of illustrations for the Everybody's Shakespeare series of educational books, a series that remained in print for decades.
An introduction by Thornton Wilder led Welles to the New York stage. In 1933, he toured in three off-Broadway productions with Katharine Cornell's company, including two roles in Romeo and Juliet. Restless and impatient when the planned Broadway opening of Romeo and Juliet was canceled, Welles staged a drama festival of his own with the Todd School, inviting Micheál Mac Liammóir and Hilton Edwards from Dublin's Gate Theatre to appear, along with New York stage luminaries. It was a roaring success. The subsequent revival of Cornell's Romeo and Juliet brought Welles to the notice of John Houseman, who was casting for an unusual lead actor for the lead role in the Federal Theatre Project.
By 1935 Welles was supplementing his earnings in the theater as a radio actor in Manhattan, working with many of the actors who would later form the core of his Mercury Theatre. He married Chicago actress Virginia Nicholson in 1934 and that year he shot an eight-minute silent short film, The Hearts of Age with her. The couple had one daughter, Christopher. She made her only film appearance in 1948, taking the role of Macduff's son in Welles's film Macbeth and later became known as Chris Welles Feder, an author of educational materials for children.
Read more about this topic: Orson Welles
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