Money Hai Toh Honey Hai is a striking comedy, which deals with six individual characters. Bobby Arora (Govinda), who is a happy go lucky guy, who runs away from home to prove himself as a to-do child. Lallabhai (Manoj Bajpai) becomes wealthy after his win of 1 crore rupees in lottery. But he’s back on the road as his business fails and he loses all his money. Gaurav (Aftab Shivdasani), a copy writer who is fired from his job. Manik (Upen Patel), who is a struggling model who sleeps with a middle-aged fashion designer(Archana Singh), hoping to make it big. Ashima Kapoor (Hansika Motwani), a successful TV star but she’s not happy with her career and is desperate to do films as the lead heroine. Shruti (Celina Jaitley) is a struggling dress designer.
One fine day, they all get an SMS informing them that they are the owners of Shahenshah Jaiswal's (Prem Chopra) 1000 crore company. However, their happiness do not last long for their lawyer reveals that there’s a loan of 1200 crore on the company and they must repay it and until the loan is repaid, they would be kept under house arrest. So, using the extra cloth left from the failing send to Korea they make garments. But not just any, the type they make is enough for an ordinary person to buy. They display that in a fashion show, getting ordinary people from the street. At the end, they succeed and keep on making more stores for other parts of India with the help of the bank. The movie ends with Bobby and Ashima getting married.
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Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no ones actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Those blessed structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (19171977)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)