Mills Mess

In juggling, the Mills Mess is a popular toss juggling pattern, typically performed with three balls although the number and objects can be different. It is considered somewhat of a milestone in juggling, "a mind-boggling pattern of circling balls, crossing and uncrossing hands, and unexpected catches."

The base of this pattern is a traditional reverse cascade, (siteswap 3 in siteswap notation), with an extra "mess" added by alternately crossing and uncrossing arms. The effect created is that the balls pursue each other from one side to the other.

Read more about Mills Mess:  Modern Origin, Variants

Other articles related to "mills mess, mills":

Mills Mess - Variants - Siteswaps
... Mills Mess is a shape distortion involving crossing and uncrossing arm movement, which is independent of the siteswap being performed ... siteswap with any number of objects can, in theory, be done in Mills Mess ... The standard Mills Mess has the siteswap 3, but Mills Messes of 441, 531, 534 (four balls) and many others have also been performed ...
Juggling Pattern - Basic Patterns - Mills Mess
... The Mills mess (named after one of its originators, Steve Mills) is a symmetrical pattern performed with any number of props greater than or equal to three, in which the arms cross and ... In a Mills mess pattern with an odd number of props, each throw is from one hand to the other, whereas with an even number of props, each hand independently juggles half of the props ... Thus, a Mills mess can be considered to be a cascade or fountain but with the cross-armed movements ...

Famous quotes containing the words mess and/or mills:

    It seemed like this was one big Prozac nation, one big mess of malaise. Perhaps the next time half a million people gather for a protest march on the White House green it will not be for abortion rights or gay liberation, but because we’re all so bummed out.
    Elizabeth Wurtzel, U.S. author. Prozac Nation: Young and Depressed in America, p. 298, Houghton Mifflin (1994)

    It don’t mean a thing, if it ain’t got that swing.
    —Irving Mills (1894–1985)