Mein Kampf - Popularity

Popularity

Although Hitler originally wrote this book mostly for the followers of National Socialism, it grew in popularity. From the royalties, Hitler was able to afford a Mercedes automobile while still imprisoned. Moreover, he accumulated a tax debt of 405,500 Reichsmark (about US$ 8 million today, or €6 million) from the sale of about 240,000 copies by the time he became chancellor in 1933 (at which time his debt was waived).

After Hitler's rise to power, the book gained enormous popularity. (Two other books written by party members, Gottfried Feder's Breaking The Interest Slavery and Alfred Rosenberg's The Myth of the Twentieth Century, have since lapsed into comparative literary obscurity, and few intact copies of either are currently known to exist — including no known translations of Feder's book from the original German.) The book was in high demand in libraries and often reviewed and quoted in other publications. Hitler had made about 1.2 million Reichsmarks from the income of his book in 1933, when the average annual income of a teacher was about 4,800 Mark. During Hitler's years in power, the book was given free to every newlywed couple and every soldier fighting at the front. By the end of the war, about 10 million copies of the book had been sold or distributed in Germany.

Read more about this topic:  Mein Kampf

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Famous quotes containing the word popularity:

    A large part of the popularity and persuasiveness of psychology comes from its being a sublimated spiritualism: a secular, ostensibly scientific way of affirming the primacy of “spirit” over matter.
    Susan Sontag (b. 1933)

    Here also was made the novelty ‘Chestnut Bell’ which enjoyed unusual popularity during the gay nineties when every dandy jauntily wore one of the tiny bells on the lapel of his coat, and rang it whenever a story-teller offered a ‘chestnut.’
    —Administration for the State of Con, U.S. public relief program (1935-1943)

    A more problematic example is the parallel between the increasingly abstract and insubstantial picture of the physical universe which modern physics has given us and the popularity of abstract and non-representational forms of art and poetry. In each case the representation of reality is increasingly removed from the picture which is immediately presented to us by our senses.
    Harvey Brooks (b. 1915)