Maud Karpeles - Bibliography

Bibliography

Maud Karpeles

  • "The Lancashire Morris Dance, containing a description of the Royton Morris Dance, collected and edited by Maud Karpeles" (London: Novello & Company) (1930)
  • "Twelve Traditional Country Dances" (1931/1956 London: Novello and Co for the English Folk Dance Society)
  • "The Abram Morris Dance" (Journal of English Folk Dance and Song Society) (1932)
  • "Folk Songs From Newfoundland" (1934)
  • "A Report on Visits to the Tristan Da Cunha Islanders" (Journal of English Folk Dance and Song Society) (1962)
  • "Cecil Sharp: His Life and Work" (1967)
  • "Folk Songs from Newfoundland" (1971 Faber and Faber)
  • "An Introduction to English Folk Song" (1973)

Maud Karpeles and Lois Blake (illustrated by Roland A. Beard)

  • "Dances of England & Wales" (1950)

A. H. Fox Strangeways and Maud Karpeles

  • "Cecil Sharp" (1933 1st ed) (1955 2nd ed) (1967 3rd ed)

Edited by Maud Karpeles

  • "English Folk Songs from the Southern Appalachians. Collected by Cecil J. Sharp" (2 volumes, 1932. London: Oxford University Press)
  • "Folk Songs of Europe" (1964. New York: Oak Publications)
  • "Cecil Sharp's Collection of English Folk Songs Vol 1 & 2" (1974)
  • "The Crystal Spring" (1975) (This is a selection from the 2 vols of "English Folk Songs" 1974)

Cecil Sharp

  • "English Folk-Song: Some Conclusions" (preface by Maud Karpeles in 2nd ed 1936)
  • "English Folk-Song: Some Conclusions" (edited by Maud Karpeles in 3rd ed 1954 and 4th ed 1965)
  • "Eighty English Folk Songs from the southern Appalachians collected by Cecil Sharp and Maud Karpeles" (1968 Faber & Faber) (Piano accompaniments by Benjamin Britten)

Cecil Sharp and Maud Karpeles

  • "80 Appalachian Folk Songs" (1983)

Kenneth S. Goldstein and Neil V. Rosenberg (editors)

  • "Folklore Studies in Honour of Herbert Halpert: a Festschrift" (St John's 1980)
(contains a chapter by Carole Henderson Carpenter called 'Forty Years Later: Maud Karpeles in Newfoundland')

Dr Pauline Alderman

  • "The Journal of the International Congress on Women in Music" (June 1985)
(contains an article called "Four Generations of Women in Musicology". Maud is classified as being in "The Second Generation".)

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