|Title||First publication||Manuscript||Notes||Online text|
|Frankenstein; Or, The Modern Prometheus||3 vols. London: Printed for Lackington, Hughes, Harding, Mayor, & Jones, 1818||There are five important versions of Frankenstein, two manuscript and three printed: "Shelley's manuscript; the fair copy manuscript, the 1818 first edition, the annotated Thomas copy, and the 1831 edition." William Godwin edited a version for the press in 1823, but he had no help from Mary Shelley and thus the edition is usually disregarded. Mary Shelley revised the 1818 text in 1831, creating a substantially new text. The editors of the Broadview Press edition of the novel write that "the 1818 and 1831 editions of Frankenstein are best treated as two separate texts". Anne K. Mellor argues that after her personal tragedies, Shelley altered the text to suggest that humans could not control their own destinies and Maurice Hindle notes that the "1831 version strips the novel of much of its context, removing a number of references to contemporary science...and Godwinian philosophy."||University of Pennsylvania (1818), University of Virginia (1831)|
|Valperga: Or, the Life and Adventures of Castruccio, Prince of Lucca||3 vols. London: Printed for G. and W. B. Whittaker, 1823||Internet Archive (Vol 2), Internet Archive (Vol 3)|
|The Last Man||3 vols. London: Henry Colburn, 1826||Google Books|
|The Fortunes of Perkin Warbeck, A Romance||3 vols. London: Henry Colburn and Richard Bentley, 1830||Google Books (1857)|
|Lodore||3 vols. London: Richard Bentley, 1835||Google Books|
|Falkner. A Novel||3 vols. London: Saunders and Otley, 1837|
|Mathilda||Ed. Elizabeth Nitchie. Chapel Hill: University of North Carolina Press, 1959.||Gutenberg|
Read more about this topic: List Of Works By Mary Shelley
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Famous quotes containing the word novels:
“The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
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“The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we dont knowNigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novelthe quality of philosophy.”
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“Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United Statesfirst, murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.”
—H.L. (Henry Lewis)