Kammermusik (Hindemith) - The Works

The Works

Kammermusik No. 1, op. 24 no. 1 (1922) for flute, clarinet, bassoon, trumpet, harmonium, piano, string quintet and percussion

  • I. Sehr schnell und wild
  • II. Mäßig schnell Halbe
  • III. Quartett: Sehr langsam und mit Ausdruck
  • IV. Finale 1921: Lebhaft

Kleine Kammermusik, op. 24 no. 2 (1922) for wind quintet

  • I. Lustig. Mäßig schnell Viertel
  • II. Walzer. Durchweg sehr leise
  • III. Ruhig und einfach
  • IV. Schnelle Viertel
  • V. Sehr lebhaft

Kammermusik No. 2, op. 36 no. 1 (1924), 'Piano Concerto'

  • I. Sehr lebhafte Achtel
  • II. Sehr langsame Achtel
  • III. Kleines Potpourri: Sehr lebhafte Viertel
  • IV. Finale: Schnelle Viertel

Kammermusik No. 3, op. 36 no. 2 (1925), 'Cello Concerto'

  • I. Majestätisch und stark. Mäßig schnelle Achtel
  • II. Lebhaft und lustig
  • III. Sehr ruhige und gemessen schreitende Viertel
  • IV. Mäßig bewegte Halbe. Munter, aber immer gemächlich.

Kammermusik No. 4, op. 36 no. 3 (1925), 'Violin Concerto'

  • I. Signal: Breite, majestätische Halbe
  • II. Sehr lebhaft
  • III. Nachtstück: Mäßig schnelle Achtel
  • IV. Lebhafte Viertel –
  • V. So schnell wie möglich

Kammermusik No. 5, op. 36 no. 4 (1925), 'Viola Concerto'

  • I. Schnelle Halbe
  • II. Langsam
  • III. Mäßig schnell
  • IV. Variante eines Militärmarsches

Kammermusik No. 6, op. 46 no. 1 (1927), 'Concerto for viola d'amore and chamber orchestra'

  • I. Mäßig schnell, majestätisch –
  • II. Langsam –
  • III. Variationen –
  • IV. Lebhaft, wie früher –

Kammermusik No. 7, op. 46 no. 2 (1927), 'Concerto for organ and chamber orchestra'

  • I. Nicht zu schnell
  • II. Sehr langsam und ganz ruhig
  • III.

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