Harmony

In music, harmony is the use of simultaneous pitches (tones, notes), or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the "vertical" aspect of music, as distinguished from melodic line, or the "horizontal" aspect. Counterpoint, which refers to the interweaving of melodic lines, and polyphony, which refers to the relationship of separate independent voices, are thus sometimes distinguished from harmony.

In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern and jazz, chords are often augmented with "tensions". A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Typically, in the classical Common practice period a dissonant chord (chord with tension) will "resolve" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when there is a balance between "tense" and "relaxed" moments.

Read more about Harmony:  Etymology and Definitions, Historical Rules, Types, Intervals, Chords and Tension, Perception of Harmony, Consonance and Dissonance in Balance

Other articles related to "chord, harmony, chords":

Key (music) - Keys and Tonality
... The key usually identifies the tonic note and/or chord the note and/or major or minor triad that represents the final point of rest for a piece, or the focal point of a section ... of key is brought about via functional harmony, a sequence of chords leading to one or more cadences, and/or melodic motion (such as movement from the leading-tone to the tonic) ... key, while the key is the center of gravity, established by particular chord progressions ...

Famous quotes containing the words chord and/or harmony:

    Give me the keys. I feel for the common chord again,
    Sliding by semi-tones till I sink to a minor,—yes,
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    Surveying a while the heights I rolled from into the deep;
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    The C Major of this life: so, now I will try to sleep.
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    There’s not the smallest orb which thou behold’st
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    William Shakespeare (1564–1616)