(Screen To) Stage To Screen Changes
Dixon was primarily hired to tone down much of the campiness inherent in the stage musical. The 2007 film's script is based primarily on the stage musical rather than the 1988 film, so several changes already made to the plot for the stage version remain in this version. These include dropping several characters from the 1988 version (such as Arvin Hodgepile (the role Mr. Spritzer fills), Velma's husband Franklin, Corny's assistant Tammy, the beatniks, et al.), removing the Tilted Acres amusement park from the story, and placing Velma in charge of the station where The Corny Collins Show is filmed.
"Mama, I'm a Big Girl Now", a popular number from the stage musical, features Tracy, Penny, and Amber arguing with their respective mothers. Neither Shankman nor Dixon could come up with a solution for filming the song that did not require a three-way split screen — something they wanted to avoid — and both felt the number did not adequately advance the plot. As a result, the song was reluctantly dropped from the film during pre-production, although it is used by Shaiman as an instrumental number when the Corny Collins kids dance the "Stricken Chicken". A special version of the song was recorded for the film's end credits in May 2007, during the final score recording process, which featured vocals from each of the three women most famous for portraying Tracy Turnblad: Ricki Lake from the 1988 film, Marissa Jaret Winokur from the original Broadway cast, and Nikki Blonsky from the 2007 film. Harvey Fierstein, who portrayed Edna as part of the original Broadway cast, has a brief cameo moment in the end credits version of the song as well.
"It Takes Two", a solo for Link, was moved from its place in the stage musical (on Tracy's first day on The Corny Collins Show) to an earlier Corny Collins scene, although only the coda of the song is used in the final release print, and the song's background music can be heard immediately after the reprise of "The Nicest Kids in Town". "Cooties", a solo for Amber in the stage musical, is present in this film as an instrumental during the Miss Teenage Hairspray dance-off. Similar to "Mama, I'm a Big Girl Now", a version of "Cooties", performed in a contemporary pop rendition by Aimee Allen, is present during the end credits.
One notable difference between the stage musical, the original film, and the 2007 film version of Hairspray is that Tracy does not go to jail in the 2007 version (thus eliminating the musical's song "The Big Dollhouse"). In both previous incarnations of Hairspray, Tracy is arrested and taken to jail along with the other protesters. Edna is presented in this version as an insecure introvert, in contrast to the relatively bolder incarnations present in the 1988 film and the stage musical. Among many other elements changed or added to this version are the removal of Motormouth Maybelle's habit of constantly speaking in rhyming jive talk, and doubling the number of teens in Corny Collins' Council (from ten on Broadway to twenty in the 2007 film).
Dixon restructured portions of Hairspray's book to allow several of the songs to blend more naturally into the plot, in particular "(You're) Timeless to Me" and "I Know Where I've Been". "(You're) Timeless to Me" becomes the anchor of a newly invented subplot involving Velma's attempt to break up Edna and Wilbur’s marriage and keep Tracy off The Corny Collins Show as a result. The song now serves as Wilbur's apology to Edna, in addition to its original purpose in the stage musical as a tongue-in-cheek declaration of Wilbur and Edna's love for each other. Meanwhile, "I Know Where I've Been", instead of being sung by Maybelle alone after being let out of jail, now underscores Maybelle's march on WYZT (which takes place in the stage musical only briefly during "Big, Blonde, and Beautiful").
The song "Big, Blonde, and Beautiful" was inspired by a line that Tracy delivered in the original film ("Now all of Baltimore will know: I'm big, blonde and beautiful!"), but in the stage version and in this film, Motormouth Maybelle performs the song. A reprise of the song was added to the 2007 film, which is sung by Edna and Velma.
Famous quotes containing the words stage and/or screen:
“A method of child-rearing is notor should not bea whim, a fashion or a shibboleth. It should derive from an understanding of the developing child, of his physical and mental equipment at any given stage, and, therefore, his readiness at any given stage to adapt, to learn, to regulate his behavior according to parental expectations.”
—Selma H. Fraiberg (20th century)
“The screen of supreme good fortune curved his absolute smile into a celestial scream.”
—John Ashbery (b. 1927)