Grand Opera

Grand opera is a genre of 19th-century opera generally in four or five acts, characterised by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically using in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself.

The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy and other countries.

It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'.

Read more about Grand OperaOrigins, Bibliography

Other articles related to "grand opera, opera, operas, grand":

Muriel Costa-Greenspon - Biography
... She made her professional debut with the Detroit Grand Opera Association at the Detroit Opera House as Miss Todd in The Old Maid and the Thief in 1960 ... Over the next decade she appeared with numerous opera companies around the United States, including performances at the Baltimore Opera Company, the Opera Company of Boston, the Connecticut Opera, the ... In 1963 Greenspon joined the roster at the New York City Opera, beginning her tenure with the company portraying Olga Olsen in Kurt Weill's Street Scene ...
French Opera - Grand Opera
... it ushered in a new genre which dominated the French stage for the rest of the century grand opera ... This was a style of opera characterised by grandiose scale, heroic and historical subjects, large casts, vast orchestras, richly detailed sets, sumptuous costumes, spectacular scenic effects and — this being ... Grand opera had already been prefigured by works such as Spontini's La vestale and Cherubini's Les Abencérages (1813), but the composer history has above all come to associate with ...
The Story Of Gilbert And Sullivan - Plot
... acclaim that he receives for the music to the short comic opera Trial by Jury, a collaboration with dramatist W ... Richard D'Oyly Carte in a partnership to create more light operas ... Their subsequent operas, The Sorcerer and, especially, H.M.S ...
Compositions By Arthur Sullivan - Life and Career - Later 1880s
... Apart from the comic operas, this proved to be Sullivan's best received full-length work ... It ran profitably for nine months but was disappointing compared with most of the earlier Savoy operas ... Gilbert finally proposed a comparatively serious opera, to which Sullivan agreed ...
Grand Opera - Bibliography
... Bartlet, M Elizabeth C "Grand opéra" in The New Grove Dictionary of Opera, 2 512–517, ed ... Limited, London, 1992 ISBN 978-0-935859-92-8 Charlton, David "On the nature of 'grand opera'", pp ... David, editor The Cambridge Companion to Grand Opera, Cambridge University Press, 2003 ISBN 978-0-521-64683-3 Crosten, William Loren French Grand Opera an Art and a Business, King's Crown ...

Famous quotes containing the words opera and/or grand:

    The opera isn’t over till the fat lady sings.

    A modern proverb along the lines of “don’t count your chickens before they’re hatched.” This form of words has no precise origin, though both Bartlett’s Familiar Quotations (16th ed., 1992)

    Ancient of days! august Athena! where,
    Where are thy men of might? thy grand in soul?
    Gone—glimmering through the dream of things that were.
    George Gordon Noel Byron (1788–1824)