In theatre, a farce is a comedy which aims at entertaining the audience by means of unlikely, extravagant, and improbable situations, disguise and mistaken identity, verbal humor of varying degrees of sophistication, which may include word play, and a fast-paced plot whose speed usually increases, culminating in an ending which often involves an elaborate chase scene. Farces are often highly incomprehensible plot-wise (due to the large number of plot twists and random events that often occur), but viewers are encouraged not to try to follow the plot in order to avoid becoming confused and overwhelmed. Farce is also characterized by physical humor, the use of deliberate absurdity or nonsense, and broadly stylized performances. Farces have been written for the stage and film.
Japan has a centuries-old tradition of farce plays called Kyōgen. These plays are performed as comic relief during the long, serious Noh plays.
Other articles related to "farce":
... Den ugudelige farce (English The Ungodly Farce) is a 2002 novel by Danish writer Svend Aage Madsen ...
... definition of various genres and his understanding of "Farce", even though many of his works are more ballad opera than actual farce As Tragedy prescribes to ... But Farce still claims a magnifying Right, To raise the Object larger to the Sight, And shew her Insect Fools in stronger Light ...
... traditional cliches that are part of the sex-comedy farce, which causes him to lose out on emphasizing any moral purpose ... However, the play is different from his other works because it is truly "Farce" whereas many of his other works are more ballad opera than farce ...
Famous quotes containing the word farce:
“The animals that depend on instinct have an inherent knowledge of the laws of economics and of how to apply them; Man, with his powers of reason, has reduced economics to the level of a farce which is at once funnier and more tragic than Tobacco Road.”
—James Thurber (18941961)
“If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the world is provided by a writer. Farce is acted. The writers contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.”
—Eric Bentley (b. 1916)