Evolutionary Origin of Religions - Prehistoric Evidence of Religion - The Use of Symbolism

The Use of Symbolism

The use of symbolism in religion is a universal established phenomenon. Archeologist Steven Mithen contends that it is common for religious practices to involve the creation of images and symbols to represent supernatural beings and ideas. Because supernatural beings violate the principles of the natural world, there will always be difficulty in communicating and sharing supernatural concepts with others. This problem can be overcome by anchoring these supernatural beings in material form through representational art. When translated into material form, supernatural concepts become easier to communicate and understand. Due to the association of art and religion, evidence of symbolism in the fossil record is indicative of a mind capable of religious thoughts. Art and symbolism demonstrates a capacity for abstract thought and imagination necessary to construct religious ideas. Wentzel van Huyssteen states that the translation of the non-visible through symbolism enabled early human ancestors to hold beliefs in abstract terms.

Some of the earliest evidence of symbolic behavior is associated with Middle Stone Age sites in Africa. From at least 100,000 years ago, there is evidence of the use of pigments such as red ochre. Pigments are of little practical use to hunter gatherers, thus evidence of their use is interpreted as symbolic or for ritual purposes. Among extant hunter gatherer populations around the world, red ochre is still used extensively for ritual purposes. It has been argued that it is universal among human cultures for the color red to represent blood, sex, life and death.

The use of red ochre as a proxy for symbolism is often criticized as being too indirect. Some scientists, such as Richard Klein and Steven Mithen, only recognize unambiguous forms of art as representative of abstract ideas. Upper paleolithic cave art provides some of the most unambiguous evidence of religious thought from the paleolithic. Cave paintings at Chauvet depict creatures that are half human and half animal.

Read more about this topic:  Evolutionary Origin Of Religions, Prehistoric Evidence of Religion

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