"Crush" was met with positive reviews by many critics.
Chuck Taylor of Billboard praised it for being a suitable match for Archuleta, citing it as a "hummable, age-appropriate midtempo pop ditty for the 17-year-old, showcasing his fine mass-appeal vocal stylings with creamy harmonies and some nice falsetto effects." He also predicted chart success for the song, saying "'Crush' is likely to put its money where its title is on the charts."
Michael Slezak of Entertainment Weekly called the song "surprisingly good!" as well as "hip and contemporary." He stated, "David adroitly walks the line between giving his core fans their fill of vocal runs while showing enough restraint that he won't automatically alienate non-Idol-loving listeners."
Blender Magazine also praised the song, giving it three and a half out of five stars and claiming to have "just listened to the thing six times in a row and we're not terribly angry about spin seven." They also liked that the song seemed perfectly crafted for radio, saying, "Songs like "Crush" are great because they sound as if the radio immaculately conceived them."
Ken Barnes of USA Today liked the "effortless glides into falsetto and some rousing moments in the bridge and chorus", but also said it "tends to plod", and "could become pretty tedious with repetition."
Read more about this topic: Crush (David Archuleta Song)
Other articles related to "reception":
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Famous quotes containing the word reception:
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fallthe company they find already present there, on their admission into the house of thought.”
—Walter Pater (18391894)