Cosi Fan Tutti

Cosi Fan Tutti is a novel by Michael Dibdin, and is the fifth entry in the popular Aurelio Zen series.

Under a cloud again, Zen thinks he has found himself a backwater sinecure in Naples, where he can coast towards retirement. He is prepared to tolerate all manner of scams in return for a quiet life with pastries and a cappucino on his desk every morning, not the least of which is a brothel on the top floor of the police station of which he is nominally in command. But corrupt politicians, shady business men and eminent mafiosi are disappearing off the streets at an alarming rate and although Zen's commitment to his work is at an all-time low, he finds himself reluctantly embroiled. Given the title, it should come as no surprise to learn that one strand of the plot is a riff on the title of the almost eponymous opera: Così fan tutte. In addition, the chapter titles are all taken from the titles of sections of the opera libretto.

Novels by Michael Dibdin
Aurelio Zen series
  • Ratking (1988)
  • Vendetta (1990)
  • Cabal (1992)
  • Dead Lagoon (1994)
  • Cosi Fan Tutti (1996)
  • A Long Finish (1998)
  • Blood Rain (1999)
  • And Then You Die (2002)
  • Medusa (2003)
  • Back to Bologna (2005)
  • End Games (2007)
  • Television series (2011)
Other novels
  • The Last Sherlock Holmes Story (1978)
  • A Rich Full Death (1986)
  • The Tryst (1989)
  • Dirty Tricks (1991)
  • The Dying of the Light (1993)
  • Dark Spectre (1995)
  • Thanksgiving (2000)

Other articles related to "cosi fan tutti, cosi fan, tutti, cosi, fan":

Cosi Fan Tutti Frutti
... Cosi Fan Tutti Frutti is a 1985 album by the British New Wave group Squeeze ... title is a play on words, combining the name of the Mozart Italian-language opera Cosi fan tutte with the name of the Italian confection tutti-frutti (also ... pun, with a picture of a tea cozy (cosi), a fan, and a tutti-frutti dessert ...

Famous quotes containing the word fan:

    Hard times accounted in large part for the fact that the exposition was a financial disappointment in its first year, but Sally Rand and her fan dancers accomplished what applied science had failed to do, and the exposition closed in 1934 with a net profit, which was donated to participating cultural institutions, excluding Sally Rand.
    —For the State of Illinois, U.S. public relief program (1935-1943)