Buck Rogers was broadcast from a 21st-floor studio that had been troubled with air conditioning noises. At a bend in a duct the air gave a whoosh that had been difficult to dampen. Later, when it became necessary to suggest a rocket traveling through outer space, someone remembered the duct and put a microphone in the bend. Whenever Buck Rogers was on the move, the microphone was opened, producing the sound of a spaceship. This was the first development in sound filters.
Filters developed upon the need for radio directors to find a way to portray a voice over the telephone. The filters were generally small boxes through which a microphone circuit could be shunted. The box had dials on its surface. Its inner mechanism could remove upper or lower tones or a combination of them to give an incomplete reproduction, as given by a telephone. The dials allowed the engineer to vary the effect, creating varieties of incompleteness. It became common for radio personnel to play around with the filters to find new sounds, and then having radio shows based upon their discoveries.
Famous quotes containing the words filters and/or sound:
“Raise a million filters and the rain will not be clean, until the longing for it be refined in deep confession. And still we hear, If only this nation had a soul, or, Let us change the way we trade, or, Let us be proud of our region.”
—Leonard Cohen (b. 1934)
“It is easy to face Death and Fate, and the things that sound so dreadful. It is on my muddles that I look back with horroron the things that I might have avoided.”
—E.M. (Edward Morgan)