Black-figure Pottery - Developments - Corinth - Transitional Style

Transitional Style

The transitional style (640-625 BC) linked the orientalizing (Proto-Corinthian) with the black-figure style. The old animal frieze style of the Proto-Corinthian period had run dry, as did the interest of vase painters in mythological scenes. During this period animal and hybrid creatures were dominant. The index form of the time was the spherical aryballos, which was produced in large numbers and decorated with animal friezes or scenes of daily life. The image quality is inferior compared with the orientalizing period. The most distinguished artists of the time were the Shambling Bull Painter, whose most famous work is an aryballos with a hunting scene, the Painter of Palermo 489, and his disciple, the Columbus Painter. The latter’s personal style can be most easily recognized in his images of powerful lions. Beside the aryballos, the kotyle and the alabastron are the most important vase shapes. The edges of kotyles were ornamented, and the other decorations consisted of animals and rays. The two vertical vase surfaces frequently have mythological scenes. The alabastrons were usually painted with single figures.

Read more about this topic:  Black-figure Pottery, Developments, Corinth

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