Diaghilev secured the employment of many great music composers for his ballets. This served to distinguish his ballets from many 19th-century ballets, for which the music had usually been provided by less inspired composers such as Drigo, Minkus, and Pugni.
Diaghilev commissioned many original scores, and borrowed freely from the existing musical canon. His ballets included music by artists such as Debussy, Milhaud, Poulenc, Prokofiev, Ravel, Satie, Respighi, Igor Stravinsky and Richard Strauss.
The impressario also engaged conductors who were, or became eminent in their field during the 20th century, including Pierre Monteux (from 1911 to 1916 and 1924), Ernest Ansermet (1915 to 1923) and Roger Désormière (1925 to 1929).
Read more about this topic: Ballets Russes
Other articles related to "music":
... Music therapy is an interpersonal process in which the therapist uses music and all of its facets—physical, emotional, mental, social, aesthetic, and spiritual—to ... In some instances, the client's needs are addressed directly through music in others they are addressed through the relationships that develop between the client and therapist ... Music therapy is used with individuals of all ages and with a variety of conditions, including psychiatric disorders, medical problems, physical handicaps ...
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Famous quotes containing the word music:
“The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.”
—Hubert H. Humphrey (19111978)
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the worldso that the moment of intense turning seems still and universalall are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (19131980)