Artistic Reactions To The 1981 Irish Hunger Strike

Artistic Reactions To The 1981 Irish Hunger Strike

Between the 1 March 1976 and the 3 October 1981 Irish Republican prisoners in HM Prison Maze carried out a variety of protests against the withdrawal of Special Category Status for prisoners convicted of proscribed "terrorism" offences. These protests culminated in the 1981 Irish hunger strike in which ten prisoners died.

This article lists the various artistic responses to these protests, made at the time and subsequently by artists supportive or opposing the protestors, and by artists who were uninvolved in the conflict.

Read more about Artistic Reactions To The 1981 Irish Hunger Strike:  Street Art, Poetry, Fiction, Theatre, Films, Songs

Other articles related to "artistic reactions to the 1981 irish hunger strike, hunger strike, irish, artistic":

Artistic Reactions To The 1981 Irish Hunger Strike - Songs
... A number of songs were written in response to the hunger strike by artists and groups such as Christy Moore and the Wolfe Tones, including some songs based on the poetry ... violent acts raised concerns that performance of Irish songs such as The H-Block Song, which had become an anthem of the Irish Republicans following the hunger strike, could lead ... Many Irish rebel songs focus on a person or persons viewed as a martyr, with themes of endurance, daring, loyalty, and the artistic, moral and intellectual qualities of ...

Famous quotes containing the words hunger, strike, irish, artistic and/or reactions:

    It takes a heap o’ livin’ in a house t’ make it home,
    A heap o’ sun an’ shadder, an’ ye sometimes have t’ roam
    Afore ye really ‘preciate the things ye lef’ behind,
    An’ hunger fer ‘em somehow, with ‘em allus on yer mind.
    Edgar Albert Guest (1881–1959)

    It would strike me as ridiculous to want to doubt the existence of Napoleon; but if someone doubted the existence of the earth 150 years ago, perhaps I should be more willing to listen, for now he is doubting our whole system of evidence.
    Ludwig Wittgenstein (1889–1951)

    For every nineteenth-century middle-class family that protected its wife and child within the family circle, there was an Irish or a German girl scrubbing floors in that home, a Welsh boy mining coal to keep the home-baked goodies warm, a black girl doing the family laundry, a black mother and child picking cotton to be made into clothes for the family, and a Jewish or an Italian daughter in a sweatshop making “ladies” dresses or artificial flowers for the family to purchase.
    Stephanie Coontz (20th century)

    If a man is a good lawyer, a good physician, a good engineer ... he may be a fool in every other capacity. But no deficiency or mistake of judgment is forgiven to a woman ... and should she fail anywhere, if she has any scientific attainment, or artistic faculty, instead of standing her interest as an excuse, it is censured as an aggravation and offence.
    E.P.P., U.S. women’s magazine contributor. The Una, p. 28 ( February 1855)

    In this Journal, my pen is a delicate needle point, tracing out a graph of temperament so as to show its daily fluctuations: grave and gay, up and down, lamentation and revelry, self-love and self-disgust. You get here all my thoughts and opinions, always irresponsible and often contradictory or mutually exclusive, all my moods and vapours, all the varying reactions to environment of this jelly which is I.
    W.N.P. Barbellion (1889–1919)