|Year||Production||Role||Awards & Notes|
|1990||Sleeping Beauty Ballet, TheThe Sleeping Beauty Ballet||Little Red Riding Hood|
|1991||Glory of Christmas, TheThe Glory of Christmas||Soloist|
|1991||Sound of Music, TheThe Sound of Music||Brigitta|
|1991||Will Rogers Follies, TheThe Will Rogers Follies||Mary Rogers|
|1996||Eleanor, An American Love Story||Roosevelt, Young EleanorYoung Eleanor Roosevelt|
|1997||Catch a Falling Star||Sheree|
|1999||Fiddler on the Roof||Chava|
|1999||Grease||Sandy||Won - Bobbi Award - "Best Actress in a Musical"|
|1999||Evita||Peron, Eva "Evita"Eva "Evita" Peron||Youngest Actress in History to play role in professional production (15)|
|2000||Oklahoma!||Laurey||Nominated - B. Iden Payne Award - "Best Featured Actress in a Musical"
Nominated - Austin Critics Table Award - "Best Actress in a Musical"
|2002||Nutcracker, TheThe Nutcracker||Clara|
|2007||Beauty and the Beast||Belle||Broadway debut/Last Belle on Broadway|
|2008 & 2009||Vanities, A New Musical||Kathy||Won - StaceSceneLA.com Outstanding Achievement in 2008/9 - Outstanding Achievement by a Lead Actress (Musical)|
|2009||Meet Me in St. Louis||Esther Smith|
|2012||Heiress, TheThe Heiress||Marion Almond|
Read more about this topic: Anneliese Van Der Pol
Other articles related to "theatre":
... Premiered at Powerhouse Theatre, Brisbane on 6 June 2000 ... Opening of Brisbane Powerhouse Theatre – Produced by Zane Trow Directed by Yaron Lifschitz ... Performed at Powerhouse Theatre, Brisbane on 5 May 2000 and 6 May 2000 ...
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Famous quotes containing the word theatre:
“Mankinds common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, lifes supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a mans frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (18421910)
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (18441923)
“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didnt learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (19001993)