Anneliese Van Der Pol - Theatre

Theatre
Year Production Role Awards & Notes
1990 Sleeping Beauty Ballet, TheThe Sleeping Beauty Ballet Little Red Riding Hood
1991 Glory of Christmas, TheThe Glory of Christmas Soloist
1991 Sound of Music, TheThe Sound of Music Brigitta
1991 Will Rogers Follies, TheThe Will Rogers Follies Mary Rogers
1996 Eleanor, An American Love Story Roosevelt, Young EleanorYoung Eleanor Roosevelt
1997 Catch a Falling Star Sheree
1998 Murphy's Law Kelly
1999 Fiddler on the Roof Chava
1999 Grease Sandy Won - Bobbi Award - "Best Actress in a Musical"
1999 Beguiled Again Principal
1999 Evita Peron, Eva "Evita"Eva "Evita" Peron Youngest Actress in History to play role in professional production (15)
2000 Oklahoma! Laurey Nominated - B. Iden Payne Award - "Best Featured Actress in a Musical"

Nominated - Austin Critics Table Award - "Best Actress in a Musical"

2002 Nutcracker, TheThe Nutcracker Clara
2002 Copelia Copelia
2007 Beauty and the Beast Belle Broadway debut/Last Belle on Broadway
2008 & 2009 Vanities, A New Musical Kathy Won - StaceSceneLA.com Outstanding Achievement in 2008/9 - Outstanding Achievement by a Lead Actress (Musical)
2009 Meet Me in St. Louis Esther Smith
2012 Heiress, TheThe Heiress Marion Almond
2012 Emma Emma Woodhouse

Read more about this topic:  Anneliese Van Der Pol

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Famous quotes containing the word theatre:

    Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.
    William James (1842–1910)

    For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
    Sarah Bernhardt (1844–1923)

    ... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.
    Helen Hayes (1900–1993)