Alternative Media - Audiences


Although most of the attention to alternative media has focused on the politics of production and categorization of different kinds of media, there has been growing interest in the audiences of alternative media. Much of this interest originally stemmed from Chris Atton's description of the blurred line between audience and producer, which stood as a tactic for production in the "ghetto sphere." Essentially, media resources have become monopolized by corporate conglomerates, which leaves the public sphere in a permanent "ghetto" condition. In order to overcome such problems, Atton noted that producers of alternative media can rely on the audience to generate content, which comes at little or no cost. Although Atton's description of the audience in this context was a discussion about production, it did shift more attention to the people who read and use alternative media. In 2007, Jennifer Rauch claimed that the interpretive strategies utilized by the audience can determine if a text is alternative or not. In 2009, Michael Boyle and Mike Schmierbach demonstrated how audiences of alternative media are more likely to be more frequently engaged in protest actions than audiences of mainstream news media. Later, Joshua Atkinson explored the performances of alternative media audiences, and how the use of alternative media shaped those performances. Essentially, Atkinson claims that the nature of the audiences use of alternative media (participatory v. passive), as well as their worldview, often shape the performances of resistance against dominant power structures in society.

Read more about this topic:  Alternative Media

Other articles related to "audiences, audience":

Aaranya Kaandam - Release
... "Once you create a believable fictional universe, you suck the audiences into that world and they tag along for the ride ... of the board's demands as he wanted to present the film uncompromisingly to the audiences ... while he also disagreed with bleeping out the "objectionable" words since he felt "it throws audiences off the film's narrative" ...
La Voix - Audiences
... Season Broadcasts Audience (Market share) Premiere Finale Average 20 ... January 2013 — 14 April 2013 2,593,000 (59%) ...
Audiences London
... Audiences London was the audience development agency for the London area ... research to identify organisations' existing audiences and provides advice to better market themselves to existing and new audiences ... Audiences London was modeled in part after such larger and older British audience development agencies as Audiences Wales and Audiences Central ...
Birmingham Jazz - Policy
... Jazz’s policy recognises no barriers – between musics, artists or audiences Besides bringing different forms and mixes of contemporary musics, cultures and audiences together musically, the ... is probably the most diverse range of artists and audiences than any other arts organisation in the region, or even the country ...

Famous quotes containing the word audiences:

    I have often felt that I cheated my children a little. I was never so totally theirs as most mothers are. I gave to audiences what belonged to my children, got back from audiences the love my children longed to give me.
    Eleanor Roosevelt (1884–1962)

    Hollywood keeps before its child audiences a string of glorified young heroes, everyone of whom is an unhesitating and violent Anarchist. His one answer to everything that annoys him or disparages his country or his parents or his young lady or his personal code of manly conduct is to give the offender a “sock” in the jaw.... My observation leads me to believe that it is not the virtuous people who are good at socking jaws.
    George Bernard Shaw (1856–1950)

    Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.
    Herbert J. Gans (b. 1927)